K.714 - PLASTIKGRIP - ACRILICO X PLASTICHE

FIELD OF APPLICATION:

High-quality top coat, especially suitable for direct coating of plastic substrates (ABS, ABS+PC, PUR. PU, PF). Suitable for both products that remain indoors and those that are exposed to weather. Compatible with electrostatic application systems. Possibility of direct painting on metals (steel, galvanized steel, brass and zamak) as well, after appropriate pretreatment of the metals. For application to metal, preliminary testing is recommended before moving on to large-scale production.

High-quality matt top coat, especially suitable for direct coating of plastic substrates (ABS, ABS+PC, PUR. PU, PF). Suitable for both products that remain indoors and those that are exposed to weather. Compatible with electrostatic application systems. Possibility of direct painting on metals (steel, galvanized steel, brass and zamak) as well, after appropriate pretreatment of the metals. For application to metal, preliminary testing is recommended before moving on to large-scale production.

High-quality matt top coat, especially suitable for direct coating of plastic substrates (ABS, ABS+PC, PUR. PU, PF). Suitable for both products that remain indoors and those that are exposed to weather. Compatible with electrostatic application systems. Possibility of direct painting on metals (steel, galvanized steel, brass and zamak) as well, after appropriate pretreatment of the metals. For application to metal, preliminary testing is recommended before moving on to large-scale production.

PREPARATION OF THE SUBSTRATE:

The substrate should be free of any form of surface contaminants (grease, traces of oxidation, waxes, release agents, etc.), so it should be treated with appropriate cleaning methods. For plastic substrates such as ABS and PVC and rigid PVR, the product can be applied directly to the workpiece. In case of painting other plastics, contact Vernici Caldart Laboratory. Suitable for application on properly prepared PP (flaming and possibly PP603 primer).

RECOMMENDED PRIMERS:

See preparation substrate

See preparation substrate

PREPARATION OF THE SUBSTRATE:

The substrate should be free of any form of surface contaminants (grease, traces of oxidation, waxes, release agents, etc.), so it should be treated with appropriate cleaning methods. For plastic substrates such as ABS and PVC and rigid PVR, the product can be applied directly to the workpiece. In case of painting other plastics, contact Vernici Caldart Laboratory. Suitable for application on properly prepared PP (flaming and possibly PP603 primer).

The substrate should be free of any form of surface contaminants (grease, traces of oxidation, waxes, release agents, etc.), so it should be treated with appropriate cleaning methods. For plastic substrates such as ABS and PVC and rigid PVR, the product can be applied directly to the workpiece. In case of painting other plastics, contact Vernici Caldart Laboratory. Suitable for application on properly prepared PP (flaming and possibly PP603 primer).

PREPARATION OF THE PRODUCT:

Mix Component A thoroughly until uniform in color and consistency, then proceed to mix it with Comp. B in the ratio shown below: Comp. A: K.714 + Coloring Pastes 100 parts by weight Comp. B: CZ.711 15 parts by weight Or: CZ.265 17 parts by weight Diluent: D.737 20 - 30 parts by weight (1) (1) Dilute the perfectly blended mixture to a viscosity of 18-20" ASTM 4 at 20 °C.

PRODUCT SPECIFICATIONS:

PREPARATION OF THE PRODUCT:

Mix Component A thoroughly until uniform in color and consistency, then proceed to mix it with Comp. B in the ratio shown below: Comp. A: K.714 + Coloring Pastes 100 parts by weight Comp. B: CZ.711 15 parts by weight Or: CZ.265 17 parts by weight Diluent: D.737 20 - 30 parts by weight (1) (1) Dilute the perfectly blended mixture to a viscosity of 18-20" ASTM 4 at 20 °C.

Mix Component A thoroughly until uniform in color and consistency, then proceed to mix it with Comp. B in the ratio shown below: Comp. A: K.714 + Coloring Pastes 100 parts by weight Comp. B: CZ.711 15 parts by weight Or: CZ.265 17 parts by weight Diluent: D.737 20 - 30 parts by weight (1) (1) Dilute the perfectly blended mixture to a viscosity of 18-20" ASTM 4 at 20 °C.

TYPE OF PRODUCT

Two-component;

PRODUCT SPECIFICATIONS:

APPEARANCE OF THE FILM

Matte.

TYPE OF PRODUCT

2K Acrylic Finishes

2K Acrylic Finishes

COLORS

By choice

APPEARANCE OF THE FILM

Matt

Matt

DENSITY Comp. (A)

1,41 kg/lt (± 0,05)

COLORS

By choice

By choice

SUPPLY VISCOSITY

21" (± 2") DIN 8 at 25 °C

DENSITY Comp. (A)

1,41 kg/lt (± 0,05)

1,41 kg/lt (± 0,05)

SOLID CONTENT

69% (± 2%)

SUPPLY VISCOSITY

21" (± 2") DIN 8 at 25 °C SOLID % - VOLUME (A+B) 50% (± 2%) SOLID % - WEIGHT (A+B) 68% (± 2%)

21" (± 2") DIN 8 at 25 °C SOLID % - VOLUME (A+B) 50% (± 2%) SOLID % - WEIGHT (A+B) 68% (± 2%)

DRYING

Dry dust-free - Print-free: 4-5 hours. 10’ at 15 °C - 25 °C - Print-free - Print-free: 4-5 hours. 2.5 - 3 hours - Forced Drying (2) - Print-free: 4-5 hours. 30’ - 40’ at 60 °C - 80 °C

DRYING AT 20°C

Dry dust-free - Print-free: 4-5 hours. 10’ - Touch-free - Print-free: 4-5 hours. 2.5 - 3 hours - Forced Drying (2) - Print-free: 4-5 hours. 30’ - 40’ at 60 °C - 80 °C

Dry dust-free - Print-free: 4-5 hours. 10’ - Touch-free - Print-free: 4-5 hours. 2.5 - 3 hours - Forced Drying (2) - Print-free: 4-5 hours. 30’ - 40’ at 60 °C - 80 °C

RECOMMENDED LAYERS

Two coats

Two coats

Two coats

OPACITY (4)

13 (± 3) Gloss depending on color

13 (± 3) Gloss

13 (± 3) Gloss

THEORETICAL YIELD (3)

10,1 m2/lt or 7,2 m2/kg at 50 µm dry

10,1 m2/lt or 7,2 m2/kg at 50 µm dry

10,1 m2/lt or 7,2 m2/kg at 50 µm dry

RECOMMENDED THICKNESS

40 - 50 µm dry

RECOMMENDED - DFT

40 - 50 µm dry

40 - 50 µm dry

POT-LIFE AT 20 °C

2 hours. The pot-life decreases at higher temperatures (2) the product also dries at room temperature, however, to achieve the best possible chemical and adhesion strengths, we recommend (when the substrate allows it) baking in an oven at 80 °C for 30 minutes minimum. (3) in 80/20 ratio with P.900 (4) the final opacity may vary depending on the color and thickness applied. Any furnace drying, especially with short drying, could result in a film with less opacity than a process based on room temperature drying.

2 hours. The pot-life decreases at higher temperatures (2) the product also dries at room temperature, however, to achieve the best possible chemical and adhesion strengths, we recommend (when the substrate allows it) baking in an oven at 80 °C for 40 minutes minimum. (3) in 80/20 ratio with P.900 (4) the final opacity may vary depending on the color and thickness applied. Any furnace drying, especially with short drying, could result in a film with less opacity than a process based on room temperature drying.

2 hours. The pot-life decreases at higher temperatures (2) the product also dries at room temperature, however, to achieve the best possible chemical and adhesion strengths, we recommend (when the substrate allows it) baking in an oven at 80 °C for 40 minutes minimum. (3) in 80/20 ratio with P.900 (4) the final opacity may vary depending on the color and thickness applied. Any furnace drying, especially with short drying, could result in a film with less opacity than a process based on room temperature drying.

RECOATING:

Wet-on-wet or following complete curing, after light sanding of the film to ensure good adhesion of the finishing coat.

APPLICATION INSTRUCTIONS:

View pictograms Page 1.

View pictograms Page 1.

SAFETY REGULATIONS:

Strictly follow the instructions on the labeling and in the safety data sheet.

RECOATING:

Wet-on-wet or following complete curing, after light sanding of the film to ensure good adhesion of the finishing coat.

Wet-on-wet or following complete curing, after light sanding of the film to ensure good adhesion of the finishing coat.

SAFETY REGULATIONS:

Strictly follow the instructions on the labeling and in the safety data sheet.

Strictly follow the instructions on the labeling and in the safety data sheet.

STORAGE CONDITIONS:

The storage room must be dry and with a temperature between +10 °C and +35 °C. Rev.: 08/22 The data and information contained in this sheet are the result of our experience and accurate laboratory tests. However, since the painting process represents a set of operations that are beyond our control, they do not therefore guarantee, in any way, the final performance of the cycle.

The storage room must be dry and with a temperature between +10 °C and +35 °C. Rev.: 09/24 The data and information contained in this sheet are the result of our experience and accurate laboratory tests. However, since the painting process represents a set of operations that are beyond our control, they do not therefore guarantee, in any way, the final performance of the cycle.

The storage room must be dry and with a temperature between +10 °C and +35 °C. Rev.: 09/24 The data and information contained in this sheet are the result of our experience and accurate laboratory tests. However, since the painting process represents a set of operations that are beyond our control, they do not therefore guarantee, in any way, the final performance of the cycle.

The data and information contained in this sheet are the result of our experience and accurate tests and laboratory tests.
However, since the painting process is a set of operations that are beyond our control, they therefore do not constitute, in any way any form of guarantee on the final performance of the cycle itself.