80VT500 - VERNICE OPACA PER VETRO

SPECIFICATIONS:

80VT500 is a protective paint for glass substrates. It is characterized by excellent adhesion, high surface hardness, scratch and scent resistance.

FIELD OF APPLICATION:

Objects, cosmetics, furniture and handcrafts.

PREPARATION OF THE PRODUCT:

Before painting, clean the substrate thoroughly, possibly by glass flaming (an operation always recommended to improve adhesion). Comp. A 80VT500 100 Parts Comp. B 20VT000 65 Parts Diluent 800 65 Parts Retardant To eliminate any spreading defects, (peel, bubble formation, etc.) replace some of the 800 thinner with 10063B retardant. It is advisable to conduct preliminary tests to determine the right amount of retardant to use. Pigmentation 80VT500 glass paint can be colored with our P.EP series colored pastes (matte colors) or our 50100M series coloring concentrates (transparent colors). It is very important to mix the dyes with the paint before catalysis in order to avoid possible precipitation of the dye.

APPLICATION:

Airbrush. Use nozzles with a diameter of 1.4-1.5 mm and pressure of 2.5-4 atm.

PRODUCT SPECIFICATIONS:

TYPE OF PRODUCT:

Two-component;

APPEARANCE OF THE FILM:

Matte

COLORS:

Clear

SPECIFIC WEIGHT:

1,00 Kg/L (± 0,10)

CURING:

Drying: 2-3’   Baking: 20’ at 140 °C -150 °C   Baking: 15’ at 160 °C -170 °C   Baking: 10’ at 180 °C -200 °C

RECOMMENDED LAYERS:

1 - 2 coats

POT-LIFE:

4 hours at 20 °C. The pot-life decreases at higher temperature

SAFETY REGULATIONS:

Strictly follow the instructions on the labeling and in the safety data sheet.

STORAGE CONDITIONS:

The storage room must be dry and with a temperature between +10 °C and +35 °C. Rev.: 03/22 The data and information contained in this sheet are the result of our experience and accurate laboratory tests. However, since the painting process represents a set of operations that are beyond our control, they do not therefore guarantee, in any way, the final performance of the cycle.

The data and information contained in this sheet are the result of our experience and accurate tests and laboratory tests.
However, since the painting process is a set of operations that are beyond our control, they therefore do not constitute, in any way any form of guarantee on the final performance of the cycle itself.